Flatten traces the human presence on the landscape of rural Ireland. It was created in and around Wexford’s Blackstairs Mountain during a residency at Cow House Studios. The artist focused on the manicured gardens and the symmetrical patterns of the human hand, as they stood out in the wild landscape.
In the series, the juxtaposition between control and chaos is playfully captured and teased out. The artist modified some of the images placing black and white patterns, razzle-dazzle camouflage, hiding objects in plain sight and generating confusion in the viewer; it is a mischievous manipulation that aims to point towards our innate need to both imitate the natural and to tame that which cannot be tamed.
For those that are not familiar with the project, is an ongoing collection, produced and designed by , that presents work by contemporary artists in the form of uncomplicated publications. These are available through in-store and online. All and any funds generated by the project go to producing more copies of the publications, ensuring we can keep promoting the artists and practices represented. These editions are regularly showcased and donated to international events and festivals, such as the Icelandic Photography Festival recently. In addition, also grace some important shelves and collections, including that of the Hasselblad Foundation Library and the Martin Parr Foundation.
You can find a list of all the TLP Editions .
is kindly supported by the Arts Council of Ireland to develop support projects such as the .
Published by PhotoIreland
Edition of 200
Softcover
32 pages
148 × 210 mm
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